A comedy about two people with different world-views, from different places, whose fate, with the help from a bull Garonja (a name given to the black bulls in villages of Croatia), intertwine. Ante (Goran Bogdan) is a peasant from Dalmatian hinterland, a son of an bull fights organizer, and skilled insurance salesman. He is known by his powers of persuasion. At the voting for the Law for animal protection, biggest controversy is considering bull fights. Sonja (Judita Frankovic) is from Zagreb, an inveterate activist fighting for animal rights. In Dalmatian hinterland nobody can understand her attitude. They conclude that Sonja, regardless of the declared intense love of animals, would not dare stand in front of a bull. About Sonja and Anthony , the central pair who in his romantic comedy game going a little farther - a little back, a series of actions is carried out in the style of a wild untamed satire at the expense of local "yellow" media and important institutions such as the ...
女主比他弟弟适合当警长，执行力，判断力击杀力全部都是满点技能。
这是什么新型僵尸吗…虽然设定还挺带感 但拍出来也就那样吧 还是预告片最精彩
两个小男孩又可爱又可怜，摊上这种事可咋办啊
女主既是负责的班主任也是女武神，小男主恨惹人怜
女主一个手无缚鸡之力的老师把父亲怪物打到批爆这真的合理吗.......
在飞机上看的，看到最后也没看懂。就算是隐喻在剧情上也太牵强了。
是有点好笑，但是片子长到新鲜劲儿一过我就开始无比厌烦
一般般，怪兽最后才看到一下，战斗不强，看的不过瘾
铺垫一小时高潮两分钟
真没那么差啊，我觉得还不错，能给个三星半其实
看直到黎明游戏直播的时候我就觉得陀罗绝壁会喜欢温迪戈好家伙嗯！
在吉尔莫·德尔·托罗监制下，《鹿角》的摄影，配乐，氛围营造都非常吸引人看下去，但影片的悬疑性和惊悚感确实较弱，片尾高潮更是显得不够激烈刺激。
故事太过于简单，想表现的创伤后遗症和人的贪婪这两个主题有点脱节...
一部温迪戈的恐怖片，传统怪物传统套路，宛如来源于三十年前，自然环保、殖民与所谓父权元素应当只是稍有提及，小男孩的演出也中规中矩，导演的镜头语言过于直接，恨不得把温迪哥正面奉上，还不如结合风土人情，还能加剧几分凄厉泠冬的恐惧
呃……差点睡着，不得不快键前进。果然，那怪物费尽所有力气出场就是为了吃剧组盒饭的😂
就这？
食草动物也可以很惊悚，故事比较套路化，怪物的设计比剧情精彩
大处有视野小处见细节 段子一箩筐 多加一星疫情的独特共鸣
近期多是看一些没营养的商业大片，这种台词镜头有一定讲究的恐怖片还是能带来一点舒适感，虽然高潮戏比较崩。
so good，二十一世纪是女权在文艺中兴起的世纪
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